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What’s new in first-time novelist Laura Zigman’s funny new book, “Animal Husbandry” (The Dial Press), is a) a clever and comic theory and b) timing.A field map on disaster dating in the late 90s, her “Old Cow / New Cow” theory--that bulls will not mate with the same cow twice and thus men dump women because they’re genetically wired to target new cows--has coincided with a period in Washington, D. She knows her book tour has “Wag the Dog” and “Primary Colors” written all over it.“The weirdest part of all this is how women are responding,” says Zigman from a Portland, Ore., hotel room, referring to the sexgate scandal.“It’s clearly like someone decided to depict what they saw, like an animal or like another human,” Maxime Aubert, an archaeologist and author of the study published in Dr.Aubert and his team tested the calcium carbonate deposits surrounding the image using dating techniques which allowed them to discover the painting’s age.The bovine painting covers a wall inside a cave named Lubang Jeriji Saléh.

These artistic depictions of animals, handprints, and humans join a growing list of examples of artwork that show a shift in how early humans saw their surroundings and how they expressed it through their art.Jane Goodall’s revenge is when she studies animal husbandry and transforms her theory into a runaway hit magazine column.Zigman’s cash cow revenge--she concedes this book is autobiographically based--is that she turned a major romantic thumping nine years ago into a first book with buzz, book rights sold to 14 foreign countries, and that now she gets to commute from her Washington, D. Technical data Top mat: Dimensions : Width: 2000 mm. Below the hill with the solitary tree unfolds a tapestry of farm fields.

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